公元前128年,雄壮威武的古罗马帝国。路西斯·慕德斯特(Frogman 配音)是生活在哈德良时代的浴场设计师,但是他墨守成规,拙于创新,以至于渐渐落于时代之后。某天,路西斯意外在浴场溺水,当他从水中站起身时,却发现自己身处一个完全陌生的世界。四周没有体型健硕、五官分明的罗马人,而是一群身材矮小说着奇怪语言的“扁脸族”。他没有意识到,自己碰巧落入了时空隧道,来到21世纪的日本。令路西斯职业和民族自尊大受打击的是,这群扁脸族在浴池文化上积累了难以数计的奇特创意。他将这些点子带回古罗马,用在自己的设计中,结果大受欢迎。不知不觉间,路西斯开创了事业的新天地…… 本片根据山崎麻里的同名漫画改编。
1.日本人对于古罗马,是认真的在做研究。细节很真实。
盐野七生应该只是其中不起眼的一员,《罗马人的故事》就已经写得堪称经典了。
2.演员的本分就是要入戏,自己都不信,怎么让观众相信。
3.生殖崇拜,日本人这方面已经脱敏,我们要学习。
4.我们看历史的时候,总觉得自己就是书上有名有姓的某一位,甚至是任何一位,但实际上,大部分人只是不能留名的那一位。
5.
Whopping temerity abounds in Hideki Takeuchi’s THERMAE ROMAE, an adaptation of Mari Yamazaki’s massively popular eponymous manga series, which is parlayed into a gigantic box-office smash hit, Japan’s second highest-grossing domestic film in 2012.
In this time-travel cock and bull story, an Ancient Roman architect Lucius Modestus (Abe) multiply stumbles upon present world in Japan through magic watery portals which the movie gives no explication whatsoever. Lucius takes his cue from mod cons to improve his design of Roman baths, which is pertinently yoked to the historical process of the Roman Empire under the reign of the peripatetic Emperor Hadrian (Ichimura), not only does Lucius’ copied private bath console the emperor’s loss of Antinous in 130, but his discovery of therapeutic hot springs is able to miraculouslyheal the wounds and dissipate the fatigue of jaded Roman warriors as well, which in turn, secures Antoninus (Shishido)’s standing as Hadrian’s successor, to the chagrin of the obnoxious skirt-chaser Ceionius (Kitamura). It is all thanks to Japanese bathing culture, that human history doesn’t go astray in the wrong hands, temerity, yes, but also innately droll.
Its ostensibly palatial, substantially specious (in a closer look, its CGI work seems pointedly shoddy) Ancient Roman set is recreated and shot in Rome’s Cinecittà studio, and the acting method is in full cothurnus mode while Latin lazily abdicates its throne of the official language to Japanese in a defeating way. Piped up by a smorgasbord of western operas to indicate the intermittent spatio-temporal changeover, actually it is Lucius’ fish-out-of-the-water adventures in the modern world tickle viewer’s funny bones, but the addition of an aspiring manga artist Mami (Ueto) feels slipshod and banal, who basks in limerence over Lucius, for his Greek-statuesque physique mostly, and becomes a proxy of oodles of audience’s Freudian admiration over Hiroshi Abe’s beefcake allure and un-oriental good looks, which induces a wry perversion with the movie’s none-too-subtle innuendo of Lucius’ impotence.
A gleeful if frivolous potboiler mining into Japan’s prevalent kuso culture but freshness starting to run out of steam once the story stuck in a far-fetched groove, THERMAE ROMAE is not without its merits, for instance, the dismay when Lucius painfully realizes the technology of those disparaged “flat-faced clan” has far exceeded his proud empire, strikes home sardonically in its unuttered connotations.
referential entry: Shinobu Yaguchi’s SURVIVAL FAMILY (2016, 7.4/10).
寬叔好身材!
不同于一般的日本扁脸族,阿部宽属于那种不用化妆就能演罗马人的日本人,优势明显啊。设定比较有趣,但是笑点并不很多。主要的看点在于阿部宽各种全裸穿越吧。
先赞下宽叔侧脸不管远近都是罗马人无误,而且身高还完爆那些欧美群演真是逆天。电影到后面虽然莫名地燃但离开漫画太远了点,一些本来很期待的18X段子都没了(比如给金精大明神BJ!!!还有和皇帝的暧昧!!)上户彩演的新加进去的角色也不算突兀,而且条条大路通罗马那里我被戳到了(好弱)
宽叔毫无违和
有笑点,有场面,但故事太平,就和日本人的脸一样
”没缘法转眼分离乍。赤条条来去无牵挂“——宽叔的屁股真给此片长脸。
这片子最大的亮点是阿部宽卖肉,还不趁着如今的姿色卖的彻底点。其次就是让人无语的想象力,不愧那是幼稚的漫画逻辑,日本人的想象力又逆天了,只是这种来来回回穿越的剧情拖沓扁平,剩下的亮点竟然有转回阿部宽的卖肉上了,外加就是古今反差让阿部宽带来的表情卖萌秀。宽叔的粉快来吧!★★
穿越来,穿越去,在罗马讲日语,在日本讲罗马语,大哥你这是喝了多少洗澡水、尿水,才喜欢上扁脸族的?
宽叔又演建筑师,宽叔也演穿越。发现日本的穿越电影永远环绕着历史和文化,但中国的就是爱爱爱爱你爱不完雍正很忙。。。另外此片为日本文化宣传片,已经近乎到hard sell的地步了,真是应了里面的那句话,文化是侵略的最好武器
看宽叔卖肉的话你就赚到了!妹子什么的真是多余。。。。望天
太蠢了,简直无法正视(不是贬义)。
豁然看到了上户彩的名字~
人物形象单薄,故事平淡,但想象力不错,可以间接了解一下浴场文化~
动画版更有趣
电影后面的原创剧情无聊死了。加一星给宽叔的身材=w= 女主可以去死了好吗。原作里ルシウス、ハドリアヌス都是给好吗!!
没有比本剧更适合用“条条大道通罗马”这话了
乐死我了
宽叔万岁
完全情节驱动,没有任何人物构建,但有够荒谬,算扯了一回好淡。
女主角好可爱,爷爷们好可爱。1. 怎么在日本就说拉丁语,在罗马反而说日语啊。2. 短时间内就掌握了拉丁语会话也太厉害了吧。3. 罗马为什么会有黑人呢?