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更新时间：2023-08-20 06:32
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春野一家人住在宁静祥和的小山村，他们的生活恬淡幸福，不过家族成员却各有各的烦恼。祖父（我修院達也 饰）性格古怪，行为乖张，醉心于私动画的制作；父亲（三浦友和 饰）是一位驻家催眠治疗师，他专心工作，无暇他顾；妻子美子（手塚理美 饰）总算暂时从育子的繁忙生活中解脱出来，于是决定重拾餐桌卡的绘画工作。夫妻俩鲜少交流，隔阂暗生；就读中学的长子阿一（佐藤貴広 饰）恋上新来的转校生，他徘徊犹豫，始终不敢表达；刚上小学的女儿幸子（坂野真弥 饰）总以为自己的头颅在不断变大，这个奇怪的幻想让她倍感困扰。 吊儿郎当的叔叔（浅野忠信 饰）从东京回来，为这个平凡却又有些奇怪的家庭吹进一丝生气……
长篇影评
1 ) 抹茶和薄荷的味道
是想象力膨胀的很愉悦的片子。
每个人都那么朴实。情节清清淡淡的展开，
山之歌）和最后幸子一个漂亮的后空翻是，
给看这片子的人的最好的礼物。
每个人都那么朴实。情节清清淡淡的展开，
山之歌）和最后幸子一个漂亮的后空翻是，
给看这片子的人的最好的礼物。
2 ) 茶の味-没有辉煌，只有延绵不绝的相续与日常
第一次遇见Katsuhito Ishii 导演的“茶之味”是五年前在国外旅行时的露天电影院。在一众观影的笑声中，我睡着了。只印象模糊地记住了那首表现形式些许夸张和怪异的“mountain song”。昨天在小小的手机屏上重温“茶の味”。午后未开空调的炙热，纱窗偶尔吹拂来的习习凉风，玉兰树上嬉耍的小鸟…甚至，我焦躁的心，和Katsuhito Ishii 的这部电影奇妙的组合成了多维画面与只属于自己的-与其说是观影体验，不如称之为“此心的夏日之味”～不知道导演是怎样做到的，镜头里的场景、细微的流动、声音的背景，甚至脑海中滑过的怪异想法，不知不觉的白日梦，在导演的电影中以层层叠叠、延绵不绝的层次与无限的延展表达出来。从个体的角度，生命中本就没有所谓的辉煌与成就。事会变，人会老。普通人的生活里处处皆是延绵不绝的相续与日常。日复一日、年复一年，看似相似，却有着无限的延展和鲜活。那一帧一帧的小日常流动，一家人在门前树下发呆，各有各的烦恼和孤单，看似怪异的暖心爷爷，忙碌又孤独在家庭和事业中努力再努力的妈妈，每日高铁通勤疲惫不堪的爸爸，青春期害羞内向不敢表白的哥哥，幼小的、体会着比成年人更深层生命本质、但又因此而备受困扰的妹妹，在东京打拼表面酷酷的潮男达人，内心实则敏感害羞的叔叔…每个人身上或多或少有我们自己成长和生活的影子。没有激烈的故事。一帧一帧流动的日常，每个人的烦恼，退缩，鼓起勇气，害怕，回来，再尝试，面对，放下…每个人以自己的方式面对自己的问题，其中不乏怪异与尴尬的幽默，而时光，也在这当中不知不觉流淌。两个半小时的观影，没有快进，没有同时做别的，没有像上次一样睡着，莫名的，心由焦躁不知不觉安静了下来。或许，正是导演所表达出的那一帧帧流动的日常、与细水长流触及内心深处的情感，令我感受到了共鸣，也得到了一种表达，这就是导演与电影的奇妙之处吧。
3 ) 另一种生活的入口
在帝都这几日轰轰烈烈的扬沙天气下，放弃了去逛街的想法，打开豆瓣，看到推荐这部片子，就找来看了。143分钟，不算太短。开篇的冗长和平淡让我很快就不想看下去，于是果断爬上床去午睡。可是被某些琐事扰乱的心无法安心入眠，于是无奈的爬下床，继续看起这部片子来。
方才刚刚看完它的我，脑海中却没有对它留下太多的印象，因为它实在是太清淡，就如它的片名-茶之味。品味时觉着清新惬意，但绝不侵入你的感官，扰乱你的心境，抢占你的记忆。也许我现在不写点什么，过了一日，或者只需几个小时，它便也仅存一丝感觉了。
其实茶之味是部典型的日式文艺片，简单柔和，鲜有起伏。除此之外，还带着很重的宫崎骏漫画的味道。大山、麦田、小女孩、怪诞的传说、从乡间到城镇的列车。这些都让我想到了《龙猫》起来。
虽然片子很平淡，但是表达和暗示的内容却不少，热爱漫画的妻子，怪异的爷爷，沉闷却忠贞的丈夫，痴情傻气的哥哥，放荡不羁的叔叔，还有可爱外表倔强心的小妹妹。一家人常常坐在门前干净的木塌上，面对着远方的大山，安静的喝茶。写到这，突然察觉，这一家子喝茶时，从未有过什么繁琐的茶道工序，就是每个人拿着杯子，随意而坐。就如片中每个人物一样，虽然平凡却不受拘束。
而我喜欢它的，就是这种感觉吧。看着他们做一些无厘头的事情，听着远处山边的鸟鸣或者是雨水落在地上的声音，或者是陪他们一起坐在门前发着呆。其实我不需要什么故事情节，什么主人公的情感或是奋斗历程。我需要的，就是看看山间一片绿意，思绪得以神游。
尽管如此，我还是为了这部片子落了把泪，落泪的点却不是春野一把伞扔到车上那一刻，而是一家人在爷爷去世的时候，去爷爷房间，发现了他给每个家人画的画册。画的色彩很美很美，想法也很有新意。当四个人欣喜的拿着属于自己的画册翻阅时，我的眼泪就莫名哗哗留下来了。无关任何伤感，就是觉得美好到让人触动。
今日是清明小假结束的第一天，假期虽然去了些景点，可是人太多，也没有什么旅行的意义。这样的出行带给我的感动可能还如这部2个多小时的电影，因为旅行的意义本来在于感受另一种生活，看到一个别样的自己。有时候，这种感觉电影给的了，旅行却给不了。
方才刚刚看完它的我，脑海中却没有对它留下太多的印象，因为它实在是太清淡，就如它的片名-茶之味。品味时觉着清新惬意，但绝不侵入你的感官，扰乱你的心境，抢占你的记忆。也许我现在不写点什么，过了一日，或者只需几个小时，它便也仅存一丝感觉了。
其实茶之味是部典型的日式文艺片，简单柔和，鲜有起伏。除此之外，还带着很重的宫崎骏漫画的味道。大山、麦田、小女孩、怪诞的传说、从乡间到城镇的列车。这些都让我想到了《龙猫》起来。
虽然片子很平淡，但是表达和暗示的内容却不少，热爱漫画的妻子，怪异的爷爷，沉闷却忠贞的丈夫，痴情傻气的哥哥，放荡不羁的叔叔，还有可爱外表倔强心的小妹妹。一家人常常坐在门前干净的木塌上，面对着远方的大山，安静的喝茶。写到这，突然察觉，这一家子喝茶时，从未有过什么繁琐的茶道工序，就是每个人拿着杯子，随意而坐。就如片中每个人物一样，虽然平凡却不受拘束。
而我喜欢它的，就是这种感觉吧。看着他们做一些无厘头的事情，听着远处山边的鸟鸣或者是雨水落在地上的声音，或者是陪他们一起坐在门前发着呆。其实我不需要什么故事情节，什么主人公的情感或是奋斗历程。我需要的，就是看看山间一片绿意，思绪得以神游。
尽管如此，我还是为了这部片子落了把泪，落泪的点却不是春野一把伞扔到车上那一刻，而是一家人在爷爷去世的时候，去爷爷房间，发现了他给每个家人画的画册。画的色彩很美很美，想法也很有新意。当四个人欣喜的拿着属于自己的画册翻阅时，我的眼泪就莫名哗哗留下来了。无关任何伤感，就是觉得美好到让人触动。
今日是清明小假结束的第一天，假期虽然去了些景点，可是人太多，也没有什么旅行的意义。这样的出行带给我的感动可能还如这部2个多小时的电影，因为旅行的意义本来在于感受另一种生活，看到一个别样的自己。有时候，这种感觉电影给的了，旅行却给不了。
4 ) The Taste of Life
The Taste of Tea is one of those films that audiences need to wait until the last minute to be able to obtain the message from the director. In other words, Katsuhito Ishill used a plot to arrange what was going to happen and what the connections were between the characters when setting an agenda.
The director’s plot to emphasize family relationships can be recognized in this film. Through out the process of the film, it seemed that the family members were only into their own worlds and there were no obvious intersections between each others: Yoshiko (mother) was busy of making her return to an animation career; Hajime (son) was falling in love with Tsuchiya; Sachiko (daughter)’s attention was on her back flip practices; however, in the end, when the director’s message was released, we saw the impacts that these individual family members had made to each other: the eccentric grandpa inspired Yoshiko’s creation of animation; uncle’s help made grandpa’s dream of singing came true; last not the least, the art album that grandpa produced for the whole members – they might not look like a close family, but likewise every family, they truly cared and tried to encourage each other from the bottom of the heart.
Individualism is another terminology that the director used in the making of this film. Characters in The Taste of Tea were living in the north of Tokyo, mainly having a life that was very different from the life style of city people, therefore, it is arguable to say their lives were a little boring. Despite this, Ishill let everybody show plenty of individualism which defined a crucial capitalism value – even the lest recognizable individual shins. The behaviours of grandpa might be very unreasonable, but he used those inspirations in his music video; the two guys wore wired animation outfits in the train; the baseball played who were training besides the river; the director operated numerous of little stories which might not make significant sense at explaining the story line, nevertheless, it is clear enough that a plot was used by Ishill to identify the simple value and worthiness of a human being.
The editing style in The Taste of Tea is something worth paying attention to. The editor did not do a job of cutting scenes tidy and frequently. In fact, abundant of long scenes appeared in the film to define a notion of the peaceful lives lived by the family and many others in the film. The most noticeable one in this category was the scene that the family was sitting in the living room and drinking teas, which occurred several times. Also, the similar editing style was shown in the scene that Hajime and Tsuchiya were playing chests (that scene lasted more than 2 minutes). I would put this film to the category of light comedy, where not many apparent “fun” scenes were found, but its funniness did offer somewhat philosophies. To me, The Taste of Tea was making a sound saying, life is just like the taste of the tea, which we are able to find in every corner of the world.
The director’s plot to emphasize family relationships can be recognized in this film. Through out the process of the film, it seemed that the family members were only into their own worlds and there were no obvious intersections between each others: Yoshiko (mother) was busy of making her return to an animation career; Hajime (son) was falling in love with Tsuchiya; Sachiko (daughter)’s attention was on her back flip practices; however, in the end, when the director’s message was released, we saw the impacts that these individual family members had made to each other: the eccentric grandpa inspired Yoshiko’s creation of animation; uncle’s help made grandpa’s dream of singing came true; last not the least, the art album that grandpa produced for the whole members – they might not look like a close family, but likewise every family, they truly cared and tried to encourage each other from the bottom of the heart.
Individualism is another terminology that the director used in the making of this film. Characters in The Taste of Tea were living in the north of Tokyo, mainly having a life that was very different from the life style of city people, therefore, it is arguable to say their lives were a little boring. Despite this, Ishill let everybody show plenty of individualism which defined a crucial capitalism value – even the lest recognizable individual shins. The behaviours of grandpa might be very unreasonable, but he used those inspirations in his music video; the two guys wore wired animation outfits in the train; the baseball played who were training besides the river; the director operated numerous of little stories which might not make significant sense at explaining the story line, nevertheless, it is clear enough that a plot was used by Ishill to identify the simple value and worthiness of a human being.
The editing style in The Taste of Tea is something worth paying attention to. The editor did not do a job of cutting scenes tidy and frequently. In fact, abundant of long scenes appeared in the film to define a notion of the peaceful lives lived by the family and many others in the film. The most noticeable one in this category was the scene that the family was sitting in the living room and drinking teas, which occurred several times. Also, the similar editing style was shown in the scene that Hajime and Tsuchiya were playing chests (that scene lasted more than 2 minutes). I would put this film to the category of light comedy, where not many apparent “fun” scenes were found, but its funniness did offer somewhat philosophies. To me, The Taste of Tea was making a sound saying, life is just like the taste of the tea, which we are able to find in every corner of the world.
5 ) 那一抹绚烂的霞光
还记得和MM一起在宿舍里一个人守一个窗户看了整整一下午的雨。
还记得MM给我email说在英国有大段的时候是躺在草坪上看云。
幸福的滋味应该就是这种悠然自得。
慢慢的看电影，回味起那些曾经的在路上看风景的时刻，被感动、被荡悸。
我喜欢那个古怪的爷爷给每个人画的画册。
还记得MM给我email说在英国有大段的时候是躺在草坪上看云。
幸福的滋味应该就是这种悠然自得。
慢慢的看电影，回味起那些曾经的在路上看风景的时刻，被感动、被荡悸。
我喜欢那个古怪的爷爷给每个人画的画册。
6 ) 生活的禅意
大喜大闹大跳感情起起伏伏的生活才精彩吗？
三言两语品茗作画小小幻想的日子也不错的
雨天有蛙鸣 晴天有鸟吟 舒缓恬静的小日子
三言两语品茗作画小小幻想的日子也不错的
雨天有蛙鸣 晴天有鸟吟 舒缓恬静的小日子
延展的生命力 p.s.这部拯救了当时处于心情低谷的我，心から感謝いたします！
平淡的故事，淡淡的快乐于忧伤，组成了如此淡淡茶香的影片。
相武纱季的招牌笑容 | 坂野真弥内个时候好可爱 | "你看起来很好, 我很高兴."——这真是一句悲伤的台词 | 大山的歌儿好有爱 | 把伞扔到车上的瞬间我被感动到了 | 看到后空翻的画册我突然哭了
清新淡雅的佳作
浅野见那女的那段…
感觉努力想表达呆萌的样子，呆是有了萌却不够，而爷爷那是作怪了。这么好看的小姑娘，几乎一直面无表情，倒也容易演。这一家子也没什么特别值得回味的人。想象力也偏硬，看上去就像是纯粹为了展示编导有想象力。
怪怪却充满爱的一家人，石井克人超有想象力的作品。
太好玩了...每个人都是那么可爱,尤其是那个小萝莉
如水般的囧囧小日子比什么都好
以为是搞鬼小筑类的，但力度差很多。
静静地听大叔讲奇怪的故事
这是我看过最最最好看的电影 看一百遍都可以 让人幸福的电影
美不胜收的乡村风光，温馨谐趣的生活碎片，古灵精怪的奇思妙想，懒洋洋的节奏，最重要的，还有一枚优质小萝莉。真是好看。
一不让人不断产生“这是个毛啊”的想法的电影。可是，就像生活一样，无语而囧平淡貌似没有意义，忽然之间又会有着温暖动人的片段。
未看完 不予评价。
配角卡司很强大.调子很喜欢.幸子很loli.一切都大好!
夏天，蝉鸣，芭蕉叶影，异想色彩，枕草子的风味。奇怪的一家：催眠师爸爸，漫画助手妈妈，额头跑出火车的哥哥，有放大分身的妹妹，讲大便传说的叔叔，唱奇怪歌曲的爷爷。庵野秀明和加濑亮乱入，风格就差不离了。
同意！这是一部一个人看也会看得很高兴的电影。一点都不沉闷的两个小时，好像夏日傍晚在微温的小径上散步。一字眉爷爷好像永远长不大他内心细腻的东西最开始大家都没有看到，萝莉小孙女的脑袋瓜装了一些稀奇古怪的念头她还有那些小小的倔强真是可爱，笨拙的暗恋少年，河边的舞者哎呀好多我都形容不来。反正这是一部超可爱电影，简单又通透，大家一定都要看。
每个人出乎意料地被连成了动画小段，搪不住感动，影片的天马行空让我大开眼界，其实我很喜欢每个人的神经质小段呢
真是看得很安心很快乐，我们的生活是不是这么不自知的荒唐有趣着呢